How to Color Manage Images for Print and Website use?
14 Nov 2016
We come across color in the printed world in different ways — on electronic display screens like our TVs and computers and in printed form, where the color is a result of pigments. Even the best photographic equipment won’t be able to eliminate blemishes which prevent perfect images. Certainly, when you’re a digital photographer, you have to be good to be constantly getting new clients. You need to have all the best photography techniques- and equipment yourself. If you don’t, you can leave the digital retouching work with professional digital photo editing services who can provide these Color correction photo editing and photo retouching services for you Images with Adobe RGB or ProPhoto RGB which are displayed in a web browser will in all likelihood look dull and even washed out, and color management therefore is to ensure that the color in your images stays consistent and doesn’t shift.
Most monitors have large color gamuts optimized for image editing, making them great for viewing images in properly color managed applications such as Photoshop, Aperture or Light room. Avoid Color Management Issues the focus of color management is to get a good match across color devices such as TV screens, computers and on a printed poster. Color management works to achieve the same appearance on all of these devices, giving you control over change which can occur, but there are various approaches to color management.
Anything to do with the web should always be in RGB and printed material in CMYK. Wide gamut monitors which cover nearly all the Adobe RGB color spaces were once very expensive, but now the price has dropped significantly. If you have one of these monitors, the topic of color management might be complex to you If you do a lot of web design or upload images to the internet on Facebook for instance, it is simpler to forget the wide gamut color spaces unless you are prepared to learn all the theory. The Internet is a standardized platform and images mostly look good if you have a sRGB monitor. However, if you require consistent, accurate work, you will need to get a color-accurate monitor. A Wider range of Colors If you have a low gamut monitor and you want to avoid color management issues, experts recommend working in the sRGB color space and having a good printer such as an Epson with genuine inks and paper from the same supplier.
Experts suggest you then set the printer to manage colors so as to avoid most of the issues. If you’re a professional photographer who has invested in a modern monitor, the best advice is to work in aRGB, as most display almost 100% of the aRGB color space. Calibrate your monitor to achieve good, consistent colors. Color calibration ensures your colors and black levels are true for editing and viewing. You can either calibrate your monitor yourself or take it to a professional to have it done.
Calibrating your Monitor
There are many excellent YouTube videos which will show you precisely how to do this It involves a colorimeter that gets hung on your monitor to measure the colors on your screen and the corrections required to make the color correct. The profile is stored in a file on your computer. Before you fire ahead designing any publication, the first thing is to decide whether you want your publication in color. If you print to a high-quality digital color printer, color isn’t an issue because the printers accurately reproduce millions of colors. Going back to our TV sets and computers, it should be possible to calibrate all TV sets so that they display the same colors.
This would be a device dependent profile, and it would be different for each and every TV set. Your inkjet printer likely has its own factory standard profile to allow it to print good photographs, but if you wanted your images to be super bright and super clear; you could calibrate your printer with a custom profile. Almost very system of color reproduction can be given a color profile to describe how it can duplicate colors in the standardized CIE Color Space. A color managed workflow relies on three components — profiles, whether dependent or independent, devices such as cameras, screens and printers and a conversion engine so as to do the conversion from one profile to another. To match colors from one system to another, you must have two profiles — the source profile and the target profile.
Getting an Image ready for Reproduction
The focus of every professional photographer is to produce exceptional images with some subtle tweaks, resulting in exceptional images. With photo retouching, an image’s color is corrected and unattractive distractions removed with Color correction services or photo retouching services you get awesome looking natural images fit for the Internet, brochures and magazines.